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Showing posts with label Take That. Show all posts
Showing posts with label Take That. Show all posts
Tuesday, 15 November 2011
[Official Video] Take That - Eight Letters
We reviewed Take That's new single Eight Letters on the blog last week and with the premiere of the tracks accompanying video - a medley of live footage from the band's recent tour - the track's glacial, shimmering majesty seems all the more magnified.
Sometimes, all you need to do is sit back, watch, and listen. Looking at the tour footage, Take That just seem in another league - the level of stage production, the visual feast on offer; it's more akin to a theatre production than a pop concert.
It's really quite something. Something beautiful.
Thursday, 10 November 2011
Take That - Eight Letters
Take That's Eight Letters - a real slow burner if ever there was one. It's pure Gary Barlow ballad territory at its most fundamental, tuneful piano chords predictably building up in all the right moments.
If you could draw up a graph of how to best target the emotions of your average music listener, Gary could probably construct you the perfect diagram, complete with key changes and such.
But whereas Barlow ballads of the past have stuck to the Coldplay-esque formula of big, rousing soft-rock, Eight Letters sounds like something off a Pet Shop Boys album.
Accentuated with some lovely synth flourishes, it feels tender, innocent, complete with the kind of nuances that a band of such blustering magnificence as Take That usually keep pocketed away.
It's stuff like that long, final ringing note of reverbed guitar that just add an immeasurable piquancy to songs like this - it's eye-candy for the ears.
Progress Live is released on the 28th November.
Labels:
eight letters,
progress live cd,
single release,
Take That
Thursday, 20 October 2011
Take That to release Progress Live album
Who could say no to more Take That in their lives? Personally, we were absolutely addicted to the trailer of Take That's live DVD - recorded on their staggeringly massive Progress tour.
These days though, your average music consumer wants more than just the DVD - they want that ever-lasting memento of the live show on their iTunes and MP3 player too, so they can listen to it again and again and again...
Good job Barlow and the boys are releasing a CD of the show too then, a week after the DVD release. Just look at the cover art above, so many people! Here's the full tracklisting:
Rule The World
Greatest Day
Hold Up A Light
Patience
Shine
Let Me Entertain You
Rock DJ
Come Undone
Feel
Angels
The Flood
SOS
Underground Machine
Kidz
Pretty Things
When They Were Young Medley
Back For Good
Pray
Love Love
Never Forget
No Regrets/Relight My Fire
Eight Letters
Labels:
album tracklist,
cover art,
progress live cd,
Take That
Monday, 3 October 2011
Take That release Progress Live DVD trailer
I love tour DVDs - there's something about recapturing all the memories and raw emotion of that one amazing night where it was all about you, the music and your favourite popstars.
They're the ultimate in pop momentos and these days you can be sure they also represent the very best in souped up 'deluxe' packaging and bonus features too.
And when it comes to the ultimate in pop tours, you don't get much bigger than Take That's immense stadium conquering list of dates across the UK. Seriously, the number of Wembley Stadium shows they sold out in a row is just mind-boggling.
It's a fitting testament to how far the reunited band has come to see the people of Britain coming out in such force to see the group - they stand as the peak of mutual enjoyment, thousands of fans parting with their hard earned money to participate in a slice of the Take That experience. And with the band's Progress Live DVD, it's possible to relive that experience all over again.
Have a watch of the trailer below, and I defy anyone (even the most staunch rock fans) not to admit it looks like an amazing concert. In terms of visual spectacle, it is unparalleled - and as for the music, well I've yet to meet someone who doesn't love Never Forget.
The Progress Live DVD is out on the 21st November and can be pre-ordered here.
Thursday, 14 July 2011
(Official Video) Take That - When We Were Young
When the Take That boys were young... well, you'd have to have been living under a rock for the past twenty years not to be aware of the whole Robbie-gate business and the ultimate dissolution of the group, the end to a glorious, shining pop career that would finally be resurrected - the band reformed and rejuvenated - 10 years later.
It's a defining saga of pop music. The tale that everyone knows. Yet it still holds an undefinable power to it - and much the same can be said of the band's new single, the last to be taken from their dizzyingly successful Progress album.
Interestingly, When We Were Young sees a return to the sound of the Robbie-lite Take That, the band that banged out mega-ballad after mega-ballad to massive success. It was a formula Gary Barlow seemed born to fulfill - unleashing these behemoth-like songs on the UK, a nation of fans lapping them up.
For all the song's charm though, it feels a little flat compared to both past successes like Rule The World and Greatest Day, and even more so compared to the new electro-driven Take That which has manifested itself courtesy of Robbie's return to the band and the involvement of super-producer Stuart Price.
No, if anything, it's the track's accompanying video which is the real attraction here. Shot in ear-wateringly rich quality at Wembley Stadium during the band's immense eight night residency there, it simply looks magical. All in black and white, it feels classy, magical - a fitting showpiece for the group who stand as Britain's premiere pop band.
As Gary Barlow sings in the track, 'We adored the fabulous' - Take That, we adore you.
When We Were Young is released on the 22nd August and features on the soundtrack of new movie The Three Musketeers.
Labels:
gary barlow,
official video,
robbie williams,
single release review,
soundtrack three musketeers,
Take That,
wembley stadium,
when we were young
Monday, 13 June 2011
New releases round-up - 13th June 2011
Linkin Park - A Thousand Suns +
An exciting re-release of the band's stellar A Thousand Suns album. This multi-disc version features a live CD recorded at the band's Madrid tour date where tracks from the current album are mixed in with old favourites. Classics like Numb and In The End make an appearance, ensuring you can rock to your heart's content.
Download
Nerina Pallot - Year of the Wolf
Classy, immensely soulful retro-pop from this lovely lady - you may remember her from 2006 single Everybody's Gone To War, but this new record sees her striking out in new, bold directions. Lead single Put Your Hands Up is one of the best pop records of the year, without a doubt, and makes for a punchy intro to the album.
Download
Take That - Progressed
In another 2 CD re-release this week, Take That pump their multi-million selling Progress album with eight new tracks and change the cover from Yellow to Red. Includes the magnificent electro-stomp of Love Love, taken from the soundtrack of the new X Men movie. Oh, and all nicely timed to tie in with the TT boys' massive stadium tour currently zipping up and down the UK.
Download
Sophie Ellis-Bextor - Make A Scene
Like Nerina, Sophie is an incredibly experienced hand in the pop game now, and the shiny, glistening hooks of Make A Scene make for a welcome return. It's been four years since her last album and in that time we've seen her collaborate with the Freemasons on the fantastic Heartbreak (Make Me A Dancer), a track sure to have you partying long into the night. New single Starlight is a real treat too.
Download
An exciting re-release of the band's stellar A Thousand Suns album. This multi-disc version features a live CD recorded at the band's Madrid tour date where tracks from the current album are mixed in with old favourites. Classics like Numb and In The End make an appearance, ensuring you can rock to your heart's content.
Download
Nerina Pallot - Year of the Wolf
Classy, immensely soulful retro-pop from this lovely lady - you may remember her from 2006 single Everybody's Gone To War, but this new record sees her striking out in new, bold directions. Lead single Put Your Hands Up is one of the best pop records of the year, without a doubt, and makes for a punchy intro to the album.
Download
Take That - Progressed
In another 2 CD re-release this week, Take That pump their multi-million selling Progress album with eight new tracks and change the cover from Yellow to Red. Includes the magnificent electro-stomp of Love Love, taken from the soundtrack of the new X Men movie. Oh, and all nicely timed to tie in with the TT boys' massive stadium tour currently zipping up and down the UK.
Download
Sophie Ellis-Bextor - Make A Scene
Like Nerina, Sophie is an incredibly experienced hand in the pop game now, and the shiny, glistening hooks of Make A Scene make for a welcome return. It's been four years since her last album and in that time we've seen her collaborate with the Freemasons on the fantastic Heartbreak (Make Me A Dancer), a track sure to have you partying long into the night. New single Starlight is a real treat too.
Download
Labels:
a thousand suns plus,
albums,
linkin park,
make a scene,
nerina pallot,
new releases,
progressed,
reviews,
sophie ellis bextor,
Take That,
year of the wolf
Friday, 3 June 2011
Take That - Love Love
I'll admit, I had my initial worries with Love Love - and they were two-fold. Firstly, I was a little disappointed to see the brilliant Happy Now glossed over so quickly, instead of it receiving the full attention and exposure it deserves. But then again, in an increasingly digital world - single releases like that become ever more a reality.
Secondly, on first hearing, Love Love felt just that bit too similar to previous single Kidz. That same marching-band stomp, that same threatening buzz of electronics. But on seeing the track accompanied by its video - all eerie neon glow and the band standing around what looks like a mis-shapen heap of metal off-cuts - the glorious sci-fi swagger of the track hit me.
In a way, the Kidz comparisons aren't a bad thing, chiefly because Kidz was an amazing record. And whereas it was cold, menacing and affected with a dictatorial chill; Love Love is very much the flip side - the same sounds, but this time channelled into a force for positivity and good. The chorus of 'why don't you teach your heart to talk' captures that essence Take That have always managed to strike so sweetly - singing about love with real passion, but never tipping over into that pit of overly-sentimental guff.
It's all suitably epic fare, of the sort Take That always do so well. There's even a hint of Pet Shop Boys Go West anthemic-ness to it all, the kind of rousing tune that is simply made for stadiums. Fitting then that it's this month that sees the TT boys taking to their mind-bogglingly immense UK tour, with those very same Pet Shop Boys in tow.
X Men - First Class is the movie this track accompanies (and a bloody good one it is too - I saw the film earlier this week and had a thoroughly enjoyable time watching it - a real classic bit of big-budget Hollywood action) - and while it didn't seem so at first, this is most definitely another first class track for Take That.
Labels:
goodnight from hollywood,
happy now,
kidz,
love love,
new video,
pet shop boys,
stadium tour,
Take That,
x men first class
Monday, 16 May 2011
New releases round-up - 16th May 2011
Lady Gaga - The Edge of Glory
Gaga returns to the more straight-laced pop of her early days with The Edge of Glory, in the process adding in an inspired saxophone solo and a real 80s rock ballad vibe. This marks the third on air/on sale release from Gaga's forthcoming Born This Way album.
Download
Take That - Love Love
The Take That boys prove that you can never have enough Love around with this big, bold stand-alone single that shares more than a little in common with previous track Kidz (what happened to Happy Now?! We love that track!) - Love Love is the 'official' song of the new X Men movie, so expect to hear it slapped on in the film's end credits and soundtracking the trailers...
Download
Friendly Fires - Pala
Already being touted as one of the best albums of the year, Friendly Fires return bigger, better and even dancier than before. With track names like Live Those Days Tonight and Hawaiian Air, expect Pala to swiftly become the soundtrack to your summer.
Download
Hugh Laurie - Let Them Talk
The vastly talented House and Blackadder actor turns his hand to classy blues for his debut album. Now, actors going and 'doing music' doesn't always bode well, but Hugh has received rave reviews for Let Them Talk as well as dazzling on The Graham Norton Show and Later With Jools Holland. And if Jools likes you then you're on to a winner...
Download
Gaga returns to the more straight-laced pop of her early days with The Edge of Glory, in the process adding in an inspired saxophone solo and a real 80s rock ballad vibe. This marks the third on air/on sale release from Gaga's forthcoming Born This Way album.
Download
Take That - Love Love
The Take That boys prove that you can never have enough Love around with this big, bold stand-alone single that shares more than a little in common with previous track Kidz (what happened to Happy Now?! We love that track!) - Love Love is the 'official' song of the new X Men movie, so expect to hear it slapped on in the film's end credits and soundtracking the trailers...
Download
Friendly Fires - Pala
Already being touted as one of the best albums of the year, Friendly Fires return bigger, better and even dancier than before. With track names like Live Those Days Tonight and Hawaiian Air, expect Pala to swiftly become the soundtrack to your summer.
Download
Hugh Laurie - Let Them Talk
The vastly talented House and Blackadder actor turns his hand to classy blues for his debut album. Now, actors going and 'doing music' doesn't always bode well, but Hugh has received rave reviews for Let Them Talk as well as dazzling on The Graham Norton Show and Later With Jools Holland. And if Jools likes you then you're on to a winner...
Download
Labels:
friendly fires,
hugh laurie,
Lady Gaga,
let them talk,
love love,
new releases,
palace,
reviews,
singles,
Take That,
the edge of glory,
x men
Saturday, 9 April 2011
A good old Arctic Monkeys / Take That love-in
Do you remember Arctic Monkeys' frontman Alex turner saying some rather rude things about Take That at the Q Awards? He let loose at the band saying they were a 'load of b*llocks'. Now, while that might be anatomically correct what with them being five guys... it's not a very nice thing to say, and is also incorrect as Take That are actually Very Good.
But Turner's done a U-Turn now and in a recent NME interview has professed his love for the 'lads'.
'We love Gary Barlow!' he enthuses. Don't we all! Judging by how pretty much every single one of the dates on Take That's impossibly immense UK stadium tour are already sold out, the whole of the UK seems to love Gary Barlow (and Robbie, and the others...)
'I think I really offended him a few years ago though, which I'm sorry about,' continued Turner. 'I didn't understand it then. Didn't know what was going on, trying to rustle some feathers.'
See, isn't a lovely when bands make up. Now, when are we going to get them all teaming up for a big ensemble version of Never Forget?
Labels:
alex turner,
arctic monkeys,
gary barlow,
never forget,
nme,
q awards,
robbie williams,
Take That
Friday, 8 April 2011
INTERVIEW - Boyz II Men
FROM NOVEMBER 2009
So, you’ve got your new album Love out now – What was the inspiration behind recording it?
Well, basically our record label presented us with a deal to do two albums of covers. We had already done the Motown hits album, but this time we wanted to do something a little different and encompass love songs from a variety of genres of music. A lot of people know us from singing R&B, but growing up we’ve been inspired by so many types of artist and so many genres and we wanted to capture that as much as we could. So these songs are ones we used to listen to when we were growing up as well as tracks by artists that we like, and we just wanted to put it all into one big collection. There were a lot of songs to choose from but we narrowed it down to these and we felt it best represented not only the theme of love itself, but it gave people who are familiar with our music and sound something else to broaden their horizons.
And when you’re not recording, what kind of stuff do you like to get up to in your spare time?
We don’t tend to get much spare time nowadays. That said, we all like to have our down-time when we go on holiday, we like to chill out. Me personally, I like to scuba dive. I’ve been doing that for the past 12/13 years so I love to do that. And when I’m home I like to hang out in my photography studio that I opened about 4 and a half years ago, so that’s kind of like my new creative hobby. So we’ve got a lot of different things we like doing.
You’ve been together as a band for over 20 years. Do you feel the music industry has changed much over that time?
Oh, definitely. It’s changed in a big way. Obviously the internet had a lot to do with that change and it took a while for the industry to adjust. The industry also has a way of ‘fixing’ itself though and right now I think it’s at a point where it’s learning how to integrate into the new regime of internet music listeners and artists. Loads of artists are using the internet to their advantage now and a lot of people get record deals that way. I think it’s kinda cool! It still allows artists to express themselves without necessarily going to a major label and equally it gives the public something new to listen to. They can check out these artists’ MySpace or Facebook pages for example and instantly hear their music. So I think it’s a good thing in that sense.
Speaking of the internet, there’s been a lot of talk on there about a version of Back for Good you did with Girls Aloud singer Nadine Coyle. What was it like working with her?
We thought it was a great opportunity and that it’d work really well. It’d be good for her and us as her and her group’s fanbase is enormous in the UK at the moment. Our fanbase is big in America, so we thought it’d be a great kind of trade-off, helping each-other out. Unfortunately the business side of things didn’t quite work out and the track isn’t on the final version of the album. The song’s really good though!
In your time in the music industry do you have one specific career highlight? One moment you look back on where you really felt like you’d made it.
Well we’ve had so many great moments it’s hard to choose! We’ve done so many amazing things, worked with so many people. Performing at the Olympics in 1996, working with Michael Jackson... Mariah Carey. It’s a lot of highlights! It’s been a cool ride and the ride continues, we hope that there’s more in store for us in the future – we’re just enjoying it as it comes. I guess in a way the highlight of our career so far has been our career. Being able to still be around and to have people enjoying our music, it’s great.
With your new album being a collection of love songs it’d make the perfect gift for Valentine’s Day. Describe your perfect Valentine’s Day.
I would say the best ideas for treating your special someone are those spontaneous ones that they wouldn’t expect. I always like to stay four or five steps ahead of my partner about what they would like or what they want to do. If you’re in tune with the person you’re with, surprises always work.
You’ve won multiple Grammy Awards over the years. What’s it like receiving that recognition of your music and do you still get excited about attending award ceremonies?
We definitely do still get excited! I guess because we haven’t been in the public eye to a certain extent for such a long time, especially in that capacity, just being around our peers and seeing people we remember and them remembering us too is always an exciting factor. In terms of winning another Grammy or anything like that, we don’t know what the future holds, but just in case we never do, we’ve already got four!
On your album you’ve also got a collaboration with Michael Buble, how did that come about?
Michael’s a cool dude and he’s become a great acquaintance of ours. We did a song on his album called Comin’ Home Baby and it was just one of those songs that displays every aspect of ability we have inside of us - The vibe was really fun. Michael’s one of the coolest dude’s you’ll ever meet so when we came to do this album we wanted someone on there that could really rock the house and all it took was a phone call to get him on one of the tracks.
What other singers and bands are you liking at the moment? People you might want to collaborate with in the future?
A favourite of ours is Prince, we’d love to work with him, he’s incredible. There’s a few other artists we’d like to work with that we haven’t done anything with for a while, maybe another Mariah duet, or something with Beyonce or Whitney Houston. Really anyone who’s talented, able and ready to be creative, we’re down with it. It doesn’t necessarily have to be a major artist, just someone who can hold their place in the songs we do.
When you’re on stage singing live what kind of emotions go through your mind seeing all those people cheering for you?
We feed off that energy the audience gives us. What they give us, we give back. We’re going to do our job regardless simply because we love to do it. But for the most part, if the crowd gives us love, we’re going to give 125,000 percent love back.
Randy Jackson produced this album for you. What kind of guy is he - Easy going? Intense? What’s it like working with him?
Randy’s a lot of fun, we’ve known him for a long time and he’s been someone we’ve always respected. Because of his American Idol fame being so prominent right now a lot of people forget he’s actually a musician – he used to be in the band Journey – so he has a lot of musical understanding. So going into a studio to record with him, he totally knows his stuff, he knows the right elements to bring in so we capture the right sound.
So, speaking of American Idol – and obviously the X Factor too – do you think these kinds of shows are good, giving people big breaks in the music industry the way they do?
Yes! It’s good for artists that might not have been able to afford to record a demo tape or been able to get the attention of a record company executive. So it’s a good platform for young singers to get their career started. These people that are on these shows have to fit to a tight schedule and what they have to do week by week to stay in the competition, it’s a gruelling process and definitely something that helps the artists – grooming them and getting them ready for performing and a career. So once they do win or continue on with singing in any respect they have a lot of information and experience at their fingertips.
As a band you’re hugely popular worldwide. What do you think is the key to having international success?
Well, one of the main things is making sure you go to all these places and promote yourselves enough so that the people there remember you. I think people remember your personal abilities and talent from seeing you right in front of their faces – they thrive off that and we feel that is the key to our success in different countries. So it’s definitely that, added to the fact we also have incredible songs written by incredible producers that become these classic hits people know us for.
And if you could have any job aside from singing, what would it be?
Being an executive sitting in an office, doing absolutely nothing! Wear a suit every day, go to work and the money comes in – Perfect, right?
Labels:
back for good,
boyz ii men,
collaboration,
Girls Aloud,
Interview,
love album,
nadine coyle,
Take That
Tuesday, 5 April 2011
Pet Shop Boys to support Take That - Oh, you'll like them...
When the Pet Shop Boys were announced as the support act for Take That's forthcoming stadium tour, I was ecstatic. Talk about a dream pop combo. A 40 minute slot too, basically their own little gig in its own right. Not everyone was quite as excited as I was though. A brief scan across fan reaction on Twitter presented a less rosy picture.
You'd get the rather predictable cries of 'Who?!' or 'Support acts should be new bands, not oldies.' Oh dear. It was rather disappointing to see the Take That fans so disengaged, even though every news article about the story featured quotes from the TT boys singing the praises of the Pet Shop Boys.
People are entitled to like who they like, but there's a base level of 'knowledge' when it comes to music surely? People's tastes differ, but success and sales figures are hard, cold facts that can't be argued with. Even if you didn't like the Pet Shop Boys, you'd have to admit their impact on popular music across the last three decades is undeniable. You wish sometimes that people would just open their minds a little more...
Imagine a whole stadium singing along to Go West... pretty damn impressive eh? Wembley is world-renowned for its atmospheric feel; it's steeped into the very building itself, right down to the construction details.
At the end of the day, the Pet Shop Boys are confirmed now, so for any sceptics, the best advice is just to go along and see how it goes. You never know, you might just like it.
Friday, 18 March 2011
Take That - Happy Now
Kicking off with a trippy electronica intro that could have come straight off the latest glossy TV ad, Take That's Happy Now quickly slaps a big dollop of vocodered Robbie Williams in your lap as he whispers about 'super-heavy elements'. Is this a chemistry lesson or a pop single?
But then comes the chorus, so glorious and joyous in every extreme, you're left speechless at the marvelous duality of the track. Cold, wintery verses and then explosive choruses of spring-like energy. Compared to the epic power of The Flood and the electro-stomp of Kidz, Happy Now in a way represents the most traditionally 'pop' record off the new Take That album. Yes, the chorus really is that good. It's a slice of unashamed euro-disco that you just don't get enough of anymore.
Take That's move to a more electronic-influenced sound has certainly divided opinion, but for me, when it has resulted in such a brilliant run of singles as this you can't fault the boys. That is if this does indeed become the third single from the album (which I sincerely hope it does). Imagine the Take That boys performing this live at Wembley Stadium... that chorus is simply a pure arms aloft moment, the pleasures of pop music distilled into that one perfect moment. That's what it's all about.
Labels:
advert,
comic relief,
happy now,
kidz,
Live,
performance,
progress,
Take That,
the flood
Monday, 28 February 2011
Video: Take That - Kidz
I love it when music videos just get it SO right. Where the video just fits the track SO well. Take That's Kidz does just that. I mean, just how amazing is a Take That space-ship coming down and landing in a city?! Very amazing.
Now, to be fair, I definitely prefer Girls Aloud's take on the whole 'futuristic popstars invade the Earth' thing when they did their Untouchable video, but Take That definitely come a very well deserved second.
What are the best bits of the video? Well, for starters, the band's costumes are just so fantastical and steam-punk - very befitting a band that is the epitome of old mixed with new. They're almost scary - Gary Barlow in all his military finest, Robbie with a chain-mail vest and Mark Owen looking like he's stepped off the set of the BBC's Merlin with that hooded robe and staff of his.
Oh, and there's lots of soldiers thrown in. And in our age of Spooks and Call of Duty, stuff like that always adds a bit of excitement to things.
'Welcome to the future of the world...' goes the song. If the future is as exciting as this video makes out, I want more.
Now, to be fair, I definitely prefer Girls Aloud's take on the whole 'futuristic popstars invade the Earth' thing when they did their Untouchable video, but Take That definitely come a very well deserved second.
What are the best bits of the video? Well, for starters, the band's costumes are just so fantastical and steam-punk - very befitting a band that is the epitome of old mixed with new. They're almost scary - Gary Barlow in all his military finest, Robbie with a chain-mail vest and Mark Owen looking like he's stepped off the set of the BBC's Merlin with that hooded robe and staff of his.
Oh, and there's lots of soldiers thrown in. And in our age of Spooks and Call of Duty, stuff like that always adds a bit of excitement to things.
'Welcome to the future of the world...' goes the song. If the future is as exciting as this video makes out, I want more.
Labels:
call of duty,
chainmail,
futuristic,
gary barlow,
Girls Aloud,
kidz,
magic,
mark owen,
merlin,
military,
robbie williams,
soldiers,
spooks,
steampunk,
Take That,
untouchable,
welcome to the future
Wednesday, 16 February 2011
BRITs highlight - Take That perform Kidz live
Going on gut feeling, Take That's brilliant performance of Kidz was one of the best moments of the night. What a way to open the show! Loved the whole future distopia theme with all the riot police and the boys dressed up as stern dictator types. It fitted the harsh stomp-stomp of the track perfectly and those swooping camera angles really gave the performance that added sense of gravitas.
When I turn on to watch the BRITs, I want to see moments like this - something epic, something amazing; something that really marks this out as THE biggest night in the British music calendar.
When I turn on to watch the BRITs, I want to see moments like this - something epic, something amazing; something that really marks this out as THE biggest night in the British music calendar.
Labels:
BRIT Awards,
brits,
futuristic,
kidz,
Live,
performance,
riot police,
riot shields,
show,
Take That
Friday, 11 February 2011
Take That - Kidz
Ever since Take That 'returned', I've been longing for them to return to the sound of their dance-pop roots; the music that made them such a big success in the early 90s. And with Kidz, the second single from their Progress album, they finally do.
Except, now they're even better than before. Gone are the acid-house piano riffs and drum machine, replaced by a hard industrial beat, crunching guitar power chords and buzz-saw synths. It's almost Nine Inch Nails.
It's also a brilliant chance for Mark Owen to shine. I've always been a fan of Mark's vocals and their David Bowie-esque lilt (his solo track Four Minute Warning is a much over-looked pop gem of a song). Kidz, with its minimal, stark verses and crystaline, epic choruses really is a 'progress' for the band - their big, Barlow-penned soft-rock ballads are all very well and good, in many cases even amazing - but this is a new side of Take That. It's fun, risque, daring and above all, very exciting.
Kidz is released 21st February.
Labels:
90s,
dance,
david bowie,
four minute warning,
gary barlow,
kidz,
mark owen,
Nine Inch Nails,
Take That
Thursday, 10 February 2011
The Wanted - Gold Forever
I've always had a bit of a soft spot for The Wanted, All Time Low was one of my favourite pop songs from last year, so I was intrigued to hear what their new single would sound like. Well, for starters, it begins like some epic Coldplay/Take That ballad. Definitely more than a few pages being taken out of the big Gary Barlow songbook at any rate.
And then, suddenly, it goes all Basshunter, erupting into a massive synth riff that quite literally blows your socks off. Boybands seem to be quite big fans of ballad-into-dance songs at the moment (Look at JLS, they've done it twice). But let's be honest it's a formula that works, and if something works well, why not use it again. It's a rule The Wanted stick to closely; you even get a rhythmic All Time Low string section thrown into the mix.
All in all, Gold Forever is a strong track, my only reservations being that there are so many better tracks on The Wanted's debut album which will probably never see the light of the day as singles now. But anyways, this track is for Comic Relief, so go out and buy it - do your bit for charity etc.
Oh, and when I heard the title of this song was Gold Forever, I had a brief image of this being some raved up futuristic cover version of Spandau Ballet's Gold. Now that would have been amazing.
Labels:
all time low,
charity,
coldplay,
comic relief,
gary barlow,
gold forever,
Take That,
The Wanted
Thursday, 27 January 2011
Genuine – Another take on the BRIT awards
I recently read an article criticising the BRIT awards for being dominated by ‘pop’ artists such as Take That, Cheryl Cole and The Wanted. The article placed these artists in direct contrast to ‘genuine musicians’ like The XX or Arcade Fire. Now, don’t get me wrong, both these two apparently ‘genuine’ artists are great – they produced two of my favourite albums of the last year – but to presume that they are in some way innately more ‘genuine’ and by association ‘better’ than pop artists is ridiculous.
What a makes a ‘proper musician’? The notion defeats itself by way of the fact that the definition can only be completed with the involvement of personal bias. There is no fact to the horribly general label, only the user’s opinion of what they personally think is ‘proper’ and ‘genuine’. Whereas, if we look at the facts, every single one of the artists nominated for a BRIT award is by fact a musician. They have released albums of music which have gone out into the shops and we have brought. Indeed, it could be argued that many of these ‘pop’ artists - who tend on the whole to sell the most records every year – are in fact the better ones. The public opinion is clearly shown by the opening of their wallets. People will buy an album if they like an artist’s music and think it is good, so by association, the artist who sells the most records could indeed be seen as the best.
Of course, things aren’t that simple – but it highlights the key point that a portion of musicians simply cannot be written off simply because of personal bias. The article in question continues in its war on pop artists, saying that the future of British music will only be secure if music becomes seen as an art form and not just a commercial asset. There are many things wrong here – firstly, all music by its very nature is an art form. Music is a creative act, just in the same way as writing and painting are. That art may manifest itself in a myriad of different genres, and not all of them may be to your taste, but they are all undoubtedly ‘art’. Think of what music is made up of; melodies, lyrics, production and so on – all have been crafted by people; artists.
Secondly, is there anything that wrong with music being a commercial asset? If music didn’t sell, then no-one would hear it at all, thus, the whole point of it would be defeated. Also, without the mega-sales of those select popular artists, the labels would potentially have no money to invest in breaking new or experimental acts. By zooming out and seeing the greater scheme of things, Britain’s musical landscape is in fact a far more harmonious place.
Lastly, the article takes issue with the BRITs not featuring enough up-and-coming acts. Well, for starters, there is in fact both ‘breakthrough’ categories and a critics’ choice award; giving ample coverage to new artists (and if you look at previous winners, they have since gone on to be massive successes). And let’s think about things; if all the BRITs were was just a platform to appraise new artists, then would anyone even pay attention? No, far better is a greater construct supported by established, well known artists that catch people’s attention – and then when they attention is caught, the subtle introduction of a select few new artists; the real cream of the crop. And at the end of the day, this leaves us with the most important thing, what people actually like.
Labels:
Arcade Fire,
BRIT Awards,
Cheryl Cole,
Take That,
The Wanted,
The XX
Tuesday, 19 October 2010
Take That - The Flood
Every so often a song comes along that quite literally picks you up off your feet and blows you away. There are some songs that are just ‘that’ good. And for me, Take That’s new single – the first from their 6th studio album – is one such song. Walking down the street, this song comes up on your iPod, and my God does it leave an impact. From its subtle beginnings it builds and builds, layer upon layer, to an immensely powerful crescendo.
Of course, it’d be unfair not to mention the significance of Robbie Williams’ return to the band, this is after all the band’s first single with him since his return to the group. Robbie doesn’t fail to make his presence immediately felt, adding a much needed grit to the band’s sound. Post-comeback Take That were always highly skilled at pumping out glossy, melodic guitar-edged slabs of modern pop, but with Robbie’s return on The Flood, they now reach a new level of epicness, something the brilliant accompanying video marks out perfectly.
Featuring the band in a beautifully shot rowing race down the river Thames, it feels as quintessentially British as the band itself. By the time we see the reunited fivesome making their way past London’s famous landmarks and on out into the sea, we have a perfect visual metaphor for the song’s message of triumph in the face of adversity. Quite literally ‘holding back the flood’.
And so we have Take That, returning once again, stronger than ever. With each new album since their return they have presented themselves as more glossy, more meaningful, more driven. No wonder then they set the charts alight with colossal record sales, blasting the Christmas market apart with numbers other acts can only ever dream of. And with The Flood, every single inch of that success is justified – it really is a truly magical record.
Out 15th November
Labels:
river thames,
robbie williams,
Take That,
the flood
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