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Showing posts with label self titled. Show all posts
Showing posts with label self titled. Show all posts
Tuesday, 7 June 2011
Wonderland - Wonderland
What does a wonderland mean to you? A personal world of fantasy and dreams, a place where your every desire is made real. Sounds nice, doesn't it? And while the powers of glamorous new girl band Wonderland may not stretch that far, they do make some very good music.
How to describe their sound? Many have referred to Taylor Swift and The Corrs, and depending on how old you are, Wonderland's album would fit nicely next to either of these on your CD shelves. But for the five members of Wonderland - Kasey, Leigh, Sharon, Jodi and Corrina - this isn't so much about fitting in alongside anyone, more about making those all important first impressions any new band needs to establish.
Their self titled debut might come as a surprise to many 'traditional' pop fans - those in search of hectic dance beats and an overload of synths will be left wanting - and to be fair, Wonderland won't be everyone's cup of tea. But the quality of the songs here is undeniable, as are the girls' vocal talents - and it is these attributes that shine through on every track here.
Not A Love Song and Starlight glide and soar with a freedom that seems so often lacking in the technical over-complexity of the charts these days. As an opening to the album, they're perfect. In Your Eyes is like Abba with keyboard supplied by Keane - harmonies take centre-stage with the various ad-libs proving particularly impressive.
For Wonderland, they take every inch of the freedom and fantasy their name entails to craft a record that sounds 100% 'them' - No part of the album ever sounds forced or tired, this is clearly a sound they are passionate about, it that passion pays dividends in the natural, organic tone of every song here.
And for them to then cover such endearingly popular tracks as Adele's Rolling In The Deep and Lady Antebellum's Need You Now takes real confidence - an attribute these girls thankfully aren't lacking. They bring their own angle to both the songs, while remaining on the whole pretty faithful to the originals.
It's on the sublime When The Stars Go Blue that the album reaches highest - a wonderful mid-tempo track with a maturity to it that exceeds the expectations anyone might have for a new girl group just starting out. Yes, it's another cover - but the band lend it such tenderness that it feels so much their own song.
A couple of years ago I feel in love with Bad Lieutenant's Never Cry Another Tear album - and while Wonderland couldn't be further from a band formed of what used to be New Order, both albums are masterful examples of contemporary pop-rock laced with country influences. Indeed, take that album's lead single Sink Or Swim, put some female vocals on it, and it could easily be a Wonderland track.
They are cases in point that a record can successfully stand that uneasy middle ground between genres without shame or prejudice - that a good dose of pop sensibility is never a bad thing. And for Wonderland, it's on When The Stars Go Blue that we hear that best.
The whole concept of boybands adding guitars to their sound and going 'rock' is old news these days - it's been done so many times, with varying degrees of success, that it no longer surprises us. Yet it remains comparatively untouched in popular girl band terms. There's Una from The Saturdays of course, and the delightful Pierces, whose latest album came out only the week before...
And now we can add Wonderland to that list too. Indeed, in many ways, Wonderland's album feels like a cousin to The Pierces' record - both share an impressively keen ear for melody and pair it with dreamy, beautiful harmonies. Both find their roots in the sounds of years long gone by, but carry it with a youthful energy that is positively radiant. Looking to late album highlight Get Your Boots On, Wonderland already sound like stars - and it's a sound that fits them well.
Looking at the album as a whole, Wonderland have it all - the songs, the glossy, glamorous looks, and most importantly; the consistency that marks this debut out as the confident, assured beginning of a pop career that deserves to really shine.
Wonderland's album is available to download on iTunes now.
Labels:
album review,
debut album,
get your boots on,
in your eyes,
need you now,
Rolling In The Deep,
self titled,
when the stars go blue,
Wonderland
Friday, 20 May 2011
The Skuzzies - The Skuzzies
When you come to a band like The Skuzzies, your instant impression is to go down the good old 'does what it says on the tin' route. Skuzzies? File under grungy, distorted, low-fi indie rock... yup, right next to those ripped skinny jeans and vintage leather jacket you got off your dad.
The band's logo, scrawled into their self titled debut album's cover only serves to add to that image; it wouldn't look out of place hastily carved into a school desk - a defiant act of anarchy against the masses. Hey, there's even a track featuring the prince of riotious youth, Peter Doherty himself, on here.
Yes, there's the rebellion of that logo - but it's found next to a quirky manga rendering of the band, hinting at an ethic that, for all its grittyness, isn't afraid to shy away from pop culture either. Strokes producer Gordon Raphael, speaking of the band, hailed them as ‘one of the best new groups in London'. A bold claim, and one that stresses even more the importance that this debut is up to scratch.
The Skuzzies' music is dirty, rough, and oh so full of the essence of London. It's as if someone's dug deep into the heart of the city's backstreets and dingy bars and found the band's sound, ready-made to rock.
The tracks are remarkably varied to be honest, the continual foundation running throughout being the meaty basslines and stabs of spiky guitar. Hungry as a Hound is a suitably snappy intro to the record; coming in at just over two and a half minutes long it wastes no times in showing you exactly what The Skuzzies are about.
Then there's Brompton Cocktail, which while sounding like something you'd mix up on a Saturday night, is also pure Clash - a London Calling for the 21st century. It's lad rock at its most angsty - overflowing with testosterone.
On The Corner, the LP's final track, AKA 'the one with Peter Doherty on it', works so well because it genuinely sounds like a long lost Libertines classic; serving to remind us that while so may bands have tried to recreate that sound, so few get it right. Thankfully, The Skuzzies are one of the select few who nail the sound and the result is one of the best tracks on the album.
The Skuzzies is released on the 1st August.
Labels:
brompton cocktail,
debut album,
featuring,
hungry as a hound,
livertines,
on the corner,
peter doherty,
self titled,
strokes,
the skuzzies
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