Live gigs are a very mixed bag; their vastly unpredictable nature meaning you never know quite what you are going to get. But I can safely say that the London date of The Saturdays’ latest tour has secured itself a place amongst some of the best live shows I’ve ever experienced. The sheer sense of energy and emotion on offer at the gig was incredible. Standing six rows back from the stage, the connection with the girls was incredible. I’ve been to many gigs at the Hammersmith Apollo and the bands always seem to feed off the prestige and richness of the setting; and here, amidst the ornate, gilded arches and chandeliers, the Saturdays seemed to fit so well – British pop royalty.
The theme of fun and glamour is well established from the start with an inspired intro to the night; to the tune of the recent dance hit Barbra Streisand the girls call out the names of friends, family and fans in the audience – Not gonna lie, I was more than a little chuffed when they called out my name!
Leading on from this, the girls launch into a frenetic trio of upbeat tracks that encompass some of their finest moments; their most recent single Higher, the fan-favourite One Shot and the anthemic Up. The set-list serves as a reminder of just how consistent The Saturdays’ output has been. In a previous age, pop bands would churn out new albums in a conveyor-belt like system. Quality was by-the-by; all that mattered was quick sales. But the Saturdays belong to a more discerning age. Listeners demand a better standard of music, and The Saturdays are more than up to the challenge of producing some of the best pop out there. And most importantly, it is distinctly British. In an age where so much of the charts are full of American import, the girls continue to fly the flag high for the UK.
As the band perform some of their older tracks, you get a real sense that The Saturdays now have their own legacy; a proper place among contemporary pop culture. For Died In Your Eyes Una pulls out her guitar and strums along, testament to her years as a budding singer-songwriter in Ireland. Each girl brings something unique to the band, their personalities shining through both individually and as a group collective.
Whereas before The Saturdays perhaps occupied a relatively niche position - drawing crowds of in-the-know pop lovers - now their appeal is universal, the crowd encompassing the whole spectrum of society from young to old. With their delightful ITV2 documentary series The Saturdays 24/7 and extensive press coverage spurred on by Frankie and Rochelle’s high-profile relationships, they have well and truly found themselves in the centre of the public eye. With that said, The Headlines Tour seems a particularly apt name for their current run of shows.
Halfway through the gig the girls pull out a brilliant Rihanna medley – the chorus of Love The Way You Lie showcasing just how strong their vocals are, while What’s My Name sees Rochelle and Frankie working some seriously sexy dance moves. The costumes are equally attention grabbing - from sparkly, glittery dresses that are the very essence of pop to street-smart denim and day-glo hoodies, the clothes complimented the songs perfectly. Switching into sultry black leather skirts for the encore, they deliver the defiant Ego.
Throughout their career, The Saturdays have remained resolutely upbeat and positive. It’s part of their charm. Up, Higher, Work – the message conveyed in their singles is there for all to read. This is the band who’s ambition and passion for what they do has carried them forever onwards and upwards in an increasingly competitive industry. Tonight, The Saturdays were on the finest of forms – they gave it their all, and so did the audience. They are the headlines-making band for a headlines-defined age. And you know what? We Just Can’t Get Enough of them. An amazing night.
