Pages

Showing posts with label Kilto Take. Show all posts
Showing posts with label Kilto Take. Show all posts

Monday, 28 March 2011

Kilto Take headline Islington Academy Media Industry Showcase - 27th March


Kilto Take, for me, represent one of the brightest new hopes in rock. Their EP had my enchanted from the first times I heard the likes of the brilliant Retrogress and Ava. With their unique blend of empassioned Muse-like vocals with an energetic backdrop of guitar-work that comes across like a blend of U2 and Editors, they show how great songwriting skill really can elevate you up and beyond the rest of the pack.
Seeing them headline a lengthy media showcase at the Islington Academy, I was struck again by the sheer sense of something distinctly new and exciting happening here – a rock band entering a crowded market that for so long has been lacking in strong, defined melodies. The band blasted through the four tracks from their EP as well as playing two equally impressive new tracks, Inertia and Atonement. With flavours of early New Order thrown into the mix too with their muscular basslines, the band’s set was refined, razor sharp.
Lead singer and guitarist Jon Crosby commands your attention completely and utterly, his guitar playing talent impossible to dismiss. The band conjour up this impenetrable wall of sound, dominating and immensely massive – steely and metallic, it’s a battleship-like wedge of power and energy that sounds absolutely incredible in the small confines of the Islington Academy. The band are made for intimate venues like this, the audience enraptured to the emotion and dynamism of the songs. Here, the band’s superb debut EP comes to life, the story and song-craft of the tracks unfolding like the petals of a flower. And there we have Kilto Take’s beauty; the intricateness of tight, controlled melody juxtaposed with that awe-inspiring scale of their sound.
In terms of the other bands playing on the night, the definite highlight was South London dance outfit STROBE CIRCUS. Blending reggae, dub and drum & bass, they are fronted up by vocalist Rachel Hirons. With her glossy looks and sultry vocals, she could be straight out of a girl-band; but here, she was the definition of fierce, the perfect lead for the band’s intense, atmospheric mix of influences. Hearing dance music done properly live is always impressive, and here the audience were more than up for it. This was music for letting loose, going all out, and truly enjoying yourself.
And as for the best of the rest...
A BLOSSOM FELL, poetically named after the Nat King Cole song, were a quirky, soulful six piece comprised of three guys and three girls. The band were on cheery form, chatting away to the audience and delivering up their Noisettes-esque brand of pretty indie-pop. Their track Margaret Eats A Butterfly in particular is well worth checking out.
UNDERVIEW were also impressive, again, charming the crowd completely. With their laddy humour and rough and ready guitar, they came across like a mix of The Streets and Hard-Fi. Channelling the essence of a punked up The Specials and Madness at moments too, they had the audience eating out of their hand. Check out their track Don’t Know.
THE BREAKDOWN, like Kilto take themselves, were all about strong, powerful guitar – a blend of The Police and The Script at their most angsty, fiery moments. Their EP can be downloaded for free from their website too.

Tuesday, 25 January 2011

Kilto Take - Retrogress

Imagine a faster, more sinister Muse, with touches of U2-like guitar, and you'll have an idea of what the brilliant Retrogress by Kilto Take sounds like. The lead track from their self-titled EP, the song is available to download from iTunes now. The band are one of my up-and-coming favourites and represent an exciting new force to reckoned with.

Kilto Take - Retrogress by Medical Records

Wednesday, 8 December 2010

Kilto Take


Kilto Take are one of those new artists that have you hooked from the off, the skill and musicianship of this three-piece evident right away as you dive into the dark, glossy immaculateness of their music. Tracks like the brilliant Retrogress see them at their best; high-tempo, frenetic guitars, a brilliant chorus and an atmospheric production gloss that immediately impresses.
Imagine a perfect blend of early 80s post-punk with the modern innovation of its successors like White Lies and Interpol. It’s intelligent music for an audience bored of the endless cheap Libertines clones of a few years ago. And Kilto Take’s killer edge? They deliver every time. Ava is another brilliant slice of the band’s sound, razor sharp guitar solos painting pictures of grim, urban landscapes on a cinematic scale.
Lead singer Jon Crosby’s vocals ring clear and true above the immaculate guitar lines. Bringing to mind touches of Spandau Ballet’s Tony Hadley and Muse’s Matt Bellamy, they capture that same awe-inspiring theatrical edge, adding an epic quality to the band’s tracks. There’s a luxurious power to these songs that simply isn’t present in so many up and coming rock bands. Kilto Take are a band for who wear their ambition clearly on their sleeve, and the music is all the stronger for it.
Check out the band's music on their MySpace page here.

You can download their debut EP on iTunes here.