Sunday, 14 November 2010

The Pierces - Love You More


There’s an old myth about the ease and skill at which musical siblings come together.  A myth they say... but listening to Alabama sisters Allison and Catherine, that myth seems so much closer to reality.  Collectively the twosome make up The Pierces, and summed up in one word, their music is simply magical.
Imagine dark, stormy nights... howling wind and starlight, the hint of something mystical and powerful, this is the music of The Pierces.  This four track EP is headed up by the brilliant Love You More, a song wrapped in such an undeniable, natural sense of melody that you can only marvel at the sisters’ songwriting talent.  The girls have been releasing music for the past ten years but it is only now that they have been picked up by a major label and given the exposure they deserve.
If you’ve ever wondered what Elbow or The Doves would sound like with a female vocalist, The Pierces are a pretty good match.  Their tracks have that same raw energy running through them; the driving, rough guitar hook a thing that has been gripped and beaten into shape with bare hands and untamed passion.  We Are Stars represents a far more gentle sound, but still captures that same hand-crafted, baroque feel.  The duo’s lyrics are poetic gems of beauty too; ‘We are dreamers, wishing upon what we were born from’ they sing on this track.
To The Grave shows off a more jolly, upbeat side to The Pierces, highlighting that they are just at home here as with the expansive, melancholy sound that the EP begins with.  Across all four tracks though, we keep coming back to a consistent, organic feel that is testament to the skills of Coldplay’s bassist Guy Berryman lending a helping hand with production duties.  Indeed, the tracks carry that same shimmering sense of wonder that gave Coldplay’s Viva La Vida album such character.  Every song on this EP is rich and powerful; every chorus completely infectious, each track delivered with a conviction and gentleness that is utterly bewitching.

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